Patriarchal Regime of the Spectacle: Racial and Gendered Gaze in Jhumpa Lahiri’s Fiction

Moussa, Pourya Asl and Abdullah, Nurul Farhana Low (2017) Patriarchal Regime of the Spectacle: Racial and Gendered Gaze in Jhumpa Lahiri’s Fiction. International Journal of Applied Linguistics and English Literature, 6 (2). pp. 221-229. ISSN 2200-3452

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    Abstract

    This article attempts to evince the political, cultural and affective consequences of Jhumpa Lahiri’s diasporic writings and their particular enunciations of the literary gaze. To do so, it details the manner in which the stories’ exercise of visual operations rigidly corresponds with those of the Panopticon. The essay argues that Lahiri’s narrative produces a kind of panoptic machine that underpins the ‘modes of social regulation and control’ that Foucault has explained as disciplinary technologies. By situating Lahiri’s stories, “A Real Durwan” and “Only Goodness,” within a historicalpolitical context, this essay aims at identifying the way in which panopticism defines her fiction as both a record of and a participant in the social, sexual and political ‘paranoia’ behind the propaganda of America’s self-image as the land of freedom. We maintain that Lahiri’s fiction situates itself in complex relation to the postcolonial concerns of the late twentieth century, suggesting that through their fascination with a visual literalization of the panoptic machine, and by privileging the masculine gaze, the stories legitimate the perpetuation of socially prescribed notion of sexual difference.

    Item Type: Article
    Subjects: P Language and Literature > P Philology. Linguistics > P1-1091 Philology. Linguistics(General)
    Divisions: Pusat Pengajian Ilmu Kemanusiaan (School of Humanities) > Article
    Depositing User: Mr Noorazilan Noordin
    Date Deposited: 13 Oct 2017 15:31
    Last Modified: 13 Oct 2017 15:31
    URI: http://eprints.usm.my/id/eprint/37106

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